Undoubtedly, Congolese have music in their blood; and it is one of the arts through which they’ve come to best express their outstanding creativity. The most striking fact is that most Congolese musicians are exclusively self-taught and exceptionally gifted.

Congolese music has become one of the most popular in Africa by this time. By the late 1970s, as the number of bands had multiplied and the music considerably pluralized, some leaders incorporated disco, jazz, and blues harmonies into their compositions. Others preferred ballads and traditional musical forms. Although many languages were used in the lyrics, Lingala remained the most common. Several were created deriving from the African Jazz and OK Jazz, we can name Grand Zaiko of Manuaku, Viva la Musica of Papa Wemba, Choc Stars of Ben Nyamabo, Victoria Eleison of Emeneya Jo Kester, Quartier Latin of Koffi Olomide, Empire Bakuba of Pepe Kale, and the group Wenge Musica. This third generation of bands introduced new dances like Cavacha, Griffe Dindon, Caneton, Silauka, Kwassa Kwassa, Ndombolo, etc.

Congolese music is most of all dance music, usually favored in large, open-air dance clubs. Congolese orchestras frequently perform and record in Paris and Brussels. A few better known artists and orchestras manage to tour or record in the Americas, including Werrason, Koffi Olomide, JB  Mpiana, Fally Ipupa, Lokua Kanza, Mbilia Bel, just to name a few.
Abeti Masikini, Mbilia Bel, Tshala Muana, M’pongo Love, Yondo Sister, Faya Tess, Barbara Kanam are among the most popular female musicians who are celebrated throughout Africa and internationally.

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